REVIEW: The look, styles, dialogue and attitudes all
feel more 21st century than 1968, but this new "Sparkle" still sparkles
more brightly than its 1976 namesake, which was a sort of rough draft
for Dreamgirls. Like its predecessor both melodramatic and predictable
in illustrating the rough-and-tumble rise of a girl group in the black
music scene, this new version pops with energy and adds welcome new
angles to the plot and characters.
And there is also a vibrant
Whitney Houston, both as executive producer and in an important role,
in no way looking like she wouldn't survive until the film's release.
The Sony/TriStar musical drama looks to deliver modest-to-decent
returns in late summer release, with a good home-viewing career in
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